Originally conceived ten years ago, the project began as an ambitious debut that never reached completion. What remains is reworked into a looping structure that echoes the repeated efforts to revisit, confront, and reshape the project over time. In this retroactive autofiction, fragments of the original footage are disrupted by AI-altered behind-the-scenes images, where the artist becomes both the maker and the haunted subject of the failed work.

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Through this tension between both sides of the fourth wall, the re-found footage becomes both document and transformation — no longer the unrealized film it once was, but a creative process of closure: not as resolution, but as metamorphosis.